Unmarked6698
- Flag inappropriate
- Show review history
Elinor thanked her with pretty gratitude. "Business connected with the devil-stick and Isabella." "Yes. I was ill, as I have said, and my mother was watching by my bedside. Usually it is Dido who does so. I asked my mother about Dido, and she said that Dido had asked permission to go out for the evening.".
453 people found this
review helpful
kez_ h (Kez_h)
- Flag inappropriate
- Show review history
"Oh, missy! missy!" wept the negress, getting onto her feet. "It all am a lie, what dat massa say. Poo' ole Dido know nuffin'--do nuffin'. Lordy! Lordy! de big lie."I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
"Not at all," rejoined Jen, coldly. "I can understand her reason for telling the lie. She wanted to shield--"
658 people found this
review helpful
Conrad
"Do you know anything of Voodoo worship?" So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. "I don't know anything about it, Etwald; but truth to tell, Maurice does not like you!" Among the palms and costly rugs that backgrounded a marvelous regal dais occupying one long end of the great room, sat the glittering figure of the portly Haroun-al-Raschid, Sultan of Bagdad and husband of many lovely wives, whose multi-colored costumes made a glowing garden on the rugs at the foot of the dais, while on the embroidered cushions at the side of the monarch a lovely Scheherazade in shimmering white satin with strings of glistening gems in her hair, on her breast, on her arms and ankles, made an alluring picture of the new-made bride. Tall palms reared their stately fronds above the group and slave girls, with fierce Nubians in attendance, waited in mute homage at either side of the throne. Lamps of brass glittered in the alcoves back of the great dais, and above it all the roofs and minarets of the ancient city gloomed in the moonlight of the thousand and second night..
298 people found this
review helpful